![cubase 4 sidechain cubase 4 sidechain](https://i.ytimg.com/vi/OMaJPyuwr1A/maxresdefault.jpg)
You can use the compressor’s EQ to focus your compression on a specific frequency area of your 808. The 808’s compressor will now be triggered by your kick drum. Open up the compressor’s sidechain tab which is indicated by a small triangle on the top left of its window.Īctivate the sidechain option and set your input routing to your kick channel.
![cubase 4 sidechain cubase 4 sidechain](https://cdn.mos.cms.futurecdn.net/AqgqrVMRvWaWsCTakSJTKE-1200-80.jpg)
The Ableton stock compressor is a simple and effective option. Place a compressor on the track you’d like to sidechain. You want the compression to be released as soon as most of the kick has punched through it. A fast attack time creates a hard-hitting dynamic, while a slower attack generates a smoother compression.Ĭheck the total length of your kick’s sample in milliseconds and set the release time around this point. The Attack knob adjusts how quickly the compression is triggered once the kick plays. A 2:1 ratio is generally a good starting point for this type of compression. You can also tweak the ratio to set the intensity of your compression. Use your ear to determine where the kick and 808 cross over. Set your compression threshold below the peaking volume off the kick. The compressor is now activated by the routed kick signal.
![cubase 4 sidechain cubase 4 sidechain](https://files.soniccdn.com/imagehosting/c6/4348_640.jpg)
Open up the sidechain dropdown menu and select your kick as your input routing. Place the Fruity Limiter on your 808 channel switch to compression by activating the ‘Comp’ button on the interface. This command creates a send routing from the kick to the 808. Place your kick and 808 next to each other on your mixer in FL studio (they need not be side by side but it makes your workflow much clearer and quicker).Ĭlick the small arrow at the bottom of your kick drum’s fader and drag it over to your 808. Then, make sure that the makeup gain is 0, lower the threshold until you hear enough reduction, set the attack to (0ms-10ms) and the release to (40ms-150ms). To sidechain your kick & 808 load a compressor on the 808’s channel and send the kick’s channel to that compressor. In the rest of the article, I’ll mainly treat the first scenario as it is the most common one. That way, he can keep the leads powerful and in the center of the mix, and still have the reverb fill up empty spaces. For example, Brooks told in one of his masterclasses that he likes to sidechain the reverb of his leads so it only plays when the leads don’t. Sometimes, sidechaining can help you create really special sounding tracks. That’s why it may be essential from time to time to sidechain other elements too. Just like the bass, the kick might fight with other elements in your song like your hihats or chords. Scenario#2: To balance kick & other elements That’s why sidechaining really comes in handy in those situations.
#CUBASE 4 SIDECHAIN FULL#
Since they’re both full of low-end they always fight and sometimes cancel each other out. I usually only use sidechaining in these scenarios: Scenario #1: To balance kick & bassīalancing the kick & bass is and has always been one of the hardest things to do in mixing. However, this really ruins the mix sometimes. When people first get to know this thing called “sidechaining” they tend to use it everywhere, and all the time. Have a look at this illustration to better understand it: Sidechain Illustration Pluck Before Sidechaining Pluck After Sidechaining All The Scenarios When You Should Use Sidechaining You can use sidechaining to make space for elements within your mix and make sure everything sounds clear and punchy. Sidechaining is the process of lowering the volume of one element according to another one. What Is Sidechaining / Sidechain Compression?